parasite, sycophant, toady, leech, sponge mean a usually obsequious flatterer or self-seeker. parasite applies to one who clings to a person of wealth, power, or influence or is useless to society.
a jet-setter with an entourage of parasitessycophant adds to this a strong suggestion of fawning, flattery, or adulation.
a powerful prince surrounded by sycophantstoady emphasizes the servility and snobbery of the self-seeker.
cultivated leaders of society and became their toadyleech stresses persistence in clinging to or bleeding another for one's own advantage.
a leech living off his family and friends sponge stresses the parasitic laziness, dependence, and opportunism of the cadger.
a shiftless sponge, always looking for a handout
Did You Know?
In ancient Greece, sykophantÄs meant "slanderer." It derives from two other Greek words, sykon (meaning "fig") and phainein (meaning "to show or reveal"). How did fig revealers become slanderers? One theory has to do with the taxes Greek farmers were required to pay on the figs they brought to market. Apparently, the farmers would sometimes try to avoid making the payments, but squealersâfig revealersâwould fink on them, and they would be forced to pay. Another possible source is a sense of the word fig meaning "a gesture or sign of contempt" (as thrusting a thumb between two fingers). In any case, Latin retained the "slanderer" sense when it borrowed a version of sykophantÄs, but by the time English speakers in the 16th century borrowed it as sycophant, the squealers had become flatterers.
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borrowed from Latin sÈłcophanta, borrowed from Greek sÈłkophĂĄntÄs, literally, "one who shows the fig," from sĆ·kon "fig" (perhaps in reference to an apotropaic gesture made by inserting the thumb between the index and second fingers) + -phantÄs, agentive derivative of phaĂnein "to reveal, show, make known"; perhaps from the use of such a gesture in denouncing a culprit â more at fig entry 1, fancy entry 1
Note:
The origin of Greek sÈłkophĂĄntÄs, applied in ancient Athens to private individuals who brought prosecutions in which they had no personal stake, was already under debate by ancient writers. The "apotropaic gesture" hypothesis given here was presented early on by Arthur Bernard Cook ("C΄ÎÎΊÎÎ΀ÎC," The Classical Review, vol. 31 [1907], pp. 133-36); Cook also usefully summarizes ancient speculation (as the idea that the original sÈłkophĂĄntÄs denounced those who illegally exported figs from Attica). The objection has been made that the basic notion "one who makes the fig gesture" does not account for the extremely negative connotations of the word ("slanderer, calumniator, etc."), but other explanations (as, for example, that a sÈłkophĂĄntÄs revealed figs hidden in a malefactor's clothing, or initiated a prosecution for something of as little value as a fig) seem even less likely. A more nuanced, if not entirely convincing account, based on presumed fig metaphors in Athenian culture, is in Danielle Allen, The World of Prometheus: The Politics of Punishing in Democratic Athens (Princeton University Press, 2000), p. 156 passim.