In Troy, there lies the scene. From Isles of Greece / The princes orgulous, their high blood chaf'd, / Have to the port of Athens sent their ships. Thus Shakespeare began the Trojan War tale Troilus and Cressida, employing "orgulous," a colorful word first adopted in the 13th century from Anglo-French orguillus. After the Bard's day, "orgulous" dropped from sight for 200 years; there is no record of its use until it was rejuvenated by the pens of Robert Southey and Sir Walter Scott in the early 1800s. Twentieth-century writers (including James Joyce and W.H. Auden) continued its renaissance, and today "orgulous" is an elegant choice for proud writers everywhere.
